Archive for the ‘1980s Women Moves’ Category

The Accused

Saturday, March 21st, 2009
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Jodie Foster became an actress to watch with this movie. This movie is definitely influenced by early Law & Order. First a movie about a crime, then a movie about society’s responsibility in the crime.

Jodie Foster is a fiery independent woman who goes to a local bar after a fight with her boyfriend. She has mischief on her mind but when a group of frat boys decide they will not take no for an answer, they rape her on the pinball machine.

She then faces further humiliation of the police and the degradation of trial where she, the victim, is put on trial. After the perpetrators are acquitted, the prosecutor (Kelly McGillis) puts the spectators on trial. This movie says that not only are the people who commit the crime responsible but those who stand by and encourage it to happen.

Tom Topor wrote the outstanding screenplay. He also wrote the play and screen adaptation of Nuts, another great courtroom drama. His heroine is not a clean cut responsible person but a flawed woman trying to make a living and a life. This is more realistic than other films that would have a perfect Sarah.

Jodie Foster gives a well deserved Oscar winning performance. This was her coming out party. She was no longer a child star or a sensation. Kelly McGillis gives her best performance of her career. She also should have been nominated but Foster overshadowed her.

Cast

  • Kelly McGillis – A.D.A. Kathryn Murphy
  • Jodie Foster – Sarah Tobias
  • Bernie Coulson – Kenneth Joyce
  • Leo Rossi – Cliff “Scorpion” Albrect
  • Ann Hearn – Sally Fraser
  • Carmen Argenziano – D.A. Paul Rudolph
  • Steve Antin – Bob Joiner
  • Tom O’Brien – Larry
  • Peter Van Norden – Attorney Paulsen
  • Terry David Mulligan – Lieutenant Duncan
  • Woody Brown – Danny
  • Scott Paulin – Attorney Ben Wainwright

When Harry Met Sally

Saturday, March 21st, 2009
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Why a man is attracted to a woman (vice versa) and how that attraction turns into a relationship (or not) is the base for this movie. Enough people wrote about the story line and famous scenes that I won’t repeat them here. What I get from watching this movie countless times is this: when a movie worked, it’s not unlike a great relationship that worked. I mean everything has to jive. This movie started out with a great idea based on personal experience and observation from Rob Reiner and Nora Ephron, a dead-pan writing, you-can’t-get-better-chemistry casting (all 4 leads), and a timeless and oh-so-romantic setting in NYC.

My admiration goes to the filmmaker for leading the audience to watch through 12 years of Harry and Sally’s separate and/or together personal growths to come to the conclusion that they are finally morphed into a matching couple. That’s how us audience can ‘feel’ and ‘root for’ the characters.

The segments where old married couples recount the initial meeting with their mates were so positive and reaffirming. They make me believe in marriage and togetherness again.

Although the 80’s wardrobe is a bit dated but the movie itself is still as good and fresh as when it first came out on the theatrical run.  Watch this movie!

Peggy Sue Got Married

Saturday, March 21st, 2009
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Ok, let me start off by saying that I definitely feel that Peggy Sue Got Married is your classic “chick flick”. It has all the elements that women love, and men can’t understand.

Peggy Sue is divorced from her high school sweetheart Charlie, and is very unhappy, but finds herself going with her daughter to her high school reunion anyways. She faints and when she wakes up she is back in high school in 1960!

She keeps trying to break up with Charlie, since she knows how their future ends up; but Charlie refuses (how romantic).

All in all she remembers why it was that she loved Charlie, and realizes that no matter what they are destined to be together. When she returns to the present Charlie is there and apologizes for everything they have been through and wants to try to work things out.

This is one of the best endings to a movie. Her going back in time didn’t change anything, but made her realize that she and Charlie belong together. It doesn’t erase everything they have gone through, but when she wakes up she is ready to try again, as is Charlie. It didn’t magically erase their life and trials and create some fake happy-go-lucky, corny ending… but gave a (somewhat..) realistic ending.

An excellent, excellent movie!!

Cast

  • Kathleen Turner
  • Nicolas Cage
  • Barry Miller
  • Catherine Hicks
  • Joan Allen
  • Kevin J. O’Connor
  • Jim Carrey
  • Maureen O’Sullivan

Terms of Endearment

Saturday, March 21st, 2009
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One of the top grossing films of 1983, including sweeping away 5 Oscars, Terms of Endearment, not only is a heart-felt relationship between a sensitive and compassionate daughter (Debra Winger) and her over bearing mother, (Shirley MacLaine) but also what it means to get caught-up in the day to day: and faced with the really tough things in life like seeing one’s child go through unnecessary torment and hardship- but most of all, the film shows us about living in the moment, having fun in the moment, because life is fleeting, and often times, tragic.

Garrett Breedlove (Jack Nicholson), a retired astronaut, lives next door to Aurora Greenway (Shirley MacLaine) and as middle age can be very lonely sometimes, reveals to Aurora a selfish man, but also one who enjoys life and she sets out to meet him, that ends in a strange but beautiful relationship. Taking away, at least, a little attention from her suffering daughter miles and states away.

This film is certainly a character driven film rather than plot driven because the story is a simple one. It is the dialogue, acting and the great direction of James L. Brooks, (Broadcast News, As Good as it Gets, to name a few) known in the industry as the ‘actors director’ which makes this film one of the best of 1883.

A beautiful film: loving, caring, moving, emotional, revealing the joys and the tragedy of life, leaving a glimmer of Hope for us all.

Cast

  • Shirley MacLaine as Aurora Greenway
  • Debra Winger as Emma Greenway Horton
  • Jack Nicholson as Garrett Breedlove
  • Lisa Hart Caroll as Patsy Clark
  • Danny DeVito as Vernon Dahlart
  • Jeff Daniels as Flap Horton
  • Betty King as Rosie Dunlop
  • John Lithgow as Sam Burns
  • Megan Morris as Melanie Horton
  • F. William Parker as Doctor
  • A. Brooks (voice) as Rudyard Greenway
  • Mary Kay Place (voice) as Doris

The Color Purple

Saturday, March 21st, 2009
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The Color Purple is a 1985 drama film directed by Steven Spielberg. It is the eighth film directed by Spielberg and is based on the Pulitzer Prize-winning novel of the same name by Alice Walker. The film tells the story of a young African American girl named Celie and shows the problems faced by African American women during the early 1900s; including poverty, racism and sex discrimination. The character Celie is transformed as she finds her self-worth through the help of two strong female companions.

Cast

  • Whoopi Goldberg as Celie Harris Johnson
  • Danny Glover as Mr. Albert Johnson
  • Margaret Avery as Shug Avery
  • Oprah Winfrey as Sofia
  • Akosua Busia as Nettie Harris
  • Adolph Caesar as Old Mister
  • Willard Pugh as Harpo Johnson
  • Rae Dawn Chong as Squeak
  • Larry Fishburne as Swain
  • Dana Ivey as Miss Millie
  • Leon Rippy as Store Clerk
  • Bennet Guillory as Grady